Brian Cheney Tenor - World Class Versatility.

Rave Reviews for Frankenstein

”Cheney’s ringing tenor voice carried well in the stone catacombs, conveying the fear that the deep bass sound of the monster summoned. And as the section of the sketches went on, Cheney’s voice bloomed to match the action and threats of the creature.” Operawire ;       ”Cheney was in full, rich, attractive voice” New

Salute to Vienna – Hartford

Celebrating his 7th season with Salute to Vienna, Brian will be making his Boston debut at the beautiful Bushnell Performing Arts Center. Usher in the New Year with a glittery celebration of singing and dancing that will delight the senses. Salute to Vienna New Year’s Concert recreates the beauty of Vienna’s golden era and its elegance charms audiences of...

Salute to Vienna – Boston

Celebrating his 7th season with Salute to Vienna, Brian will be making his Boston debut at the beautiful Symphony Hall. Usher in the New Year with a glittery celebration of singing and dancing that will delight the senses. Salute to Vienna New Year’s Concert recreates the beauty of Vienna’s golden era and its elegance charms audiences of every age....

Salute to Vienna – Chicago

Celebrating his 7th season with Salute to Vienna, Brian will return to the historic Orchestra Hall at Symphony Center. Usher in the New Year with a glittery celebration of singing and dancing that will delight the senses. Salute to Vienna New Year’s Concert recreates the beauty of Vienna’s golden era and its elegance charms audiences of every age.

SOLD OUT – World Premiere of Frankenstein October 10-12

Brian will be creating the role of Victor Frankenstein in composer Gregg Kallor's world premiere of "Frankenstein". Three SOLD OUT performances will be performed in The Catacombs of the historic Green-Wood Cemetery in Brooklyn. Mezzo-soprano Jennifer Johnson Cano will perform the role of Elizabeth Frankenstein, and baritone Joshua Jeremiah will sing The Monster.

Verdi Requiem

CLASSICAL VOICE NORTH CAROLINA | Charlotte, NC “I was most impressed overall by Cheney, who excelled in the “Ingemisco” tenor aria. Cheney’s “Requiem aeterna dona eis” was nothing less than sublime, floating ethereally over the hushed chorus, a timeless little capsule that reminded me how live performance can triumphantly transcend any recording.” THE DAILY GAZETTE