Matt Costello – “Sketches From Frankenstein,” Angel’s Share If I simply must select a single performance, above all, then that is actually quite easy: Gregg Kallor’s “Sketches from Frankenstein.” The work in progress, “staged” at Brooklyn’s historic Green-wood Cemetery, inside the catacombs, was both a physical and operatic “experience” unlike any other. The tomb-filled catacomb,
Brian makes his debut with the New Jersey Festival Orchestra singing a Three Tenors themed Holiday Concert.
Gregg Kallor’s world premiere of sketches from his new opera Frankenstein was listed in WQXR’s New York’s Most Memorable Concerts of 2018! Music Under the Ground “What’s the city’s hottest new concert venue? The Green-Wood Cemetery catacombs in Brooklyn — an expansive hallway lined with vaults for the famously dead…in October, Gregg Kallor unveiled Frankenstein, a work-in-progress that’s even more promising than his
Brian returns to Cappella Cantorum to sing the tenor soloist for Puccini's Messa di Gloria and Saint-Saens' Christmas Oratorio.
“Cheney is a sultry tenor who excelled with the operatic and jazz stylings of ‘Mass’ and the traditional musical theatre sound of ‘West Side Story’ and ‘Candide.’ His ability to switch genre so effortlessly was astonishing and his performance of “Maria” was riveting.” MD Theatre Guide
Making his National Philharmonic debut, Brian will be the featured soloist with soprano, Danielle Talamantes, in a concert celebrating the music of Leonard Bernstein.
Daniel and Laura Curtis, award winning Musical Theatre composers and lyricists, have just released their new album The Hero featuring a new song written for Brian Cheney, Every Song. Written for Brian as a tribute to his late mentor Jerry Hadley, Every Song is the only solo track on the album. The album is a special
On November 17th, Brian will make his National Philharmonic debut as the tenor soloist in Leonard Bernstein’s Mass, West Side Story, and Candide.
“As Victor Frankenstein, tenor Brian Cheney was the ideal counterpart. He very ably expressed the Victor’s horror, panic and regret over the evil his work has wrought.” ”Cheney’s ringing tenor voice carried well in the stone catacombs, conveying the fear that the deep bass sound of the monster summoned. And as the section of