Opera Orlando’s innovative production of Pagliacci/Pulcinella starring Brian Cheney was named in OperaWire’s top 5 productions to see in North America! Photo credit: David Percival Top 5 Operas To See This Weekend – North America (3/22-24)
Matt Costello – “Sketches From Frankenstein,” Angel’s Share If I simply must select a single performance, above all, then that is actually quite easy: Gregg Kallor’s “Sketches from Frankenstein.” The work in progress, “staged” at Brooklyn’s historic Green-wood Cemetery, inside the catacombs, was both a physical and operatic “experience” unlike any other. The tomb-filled catacomb,
Gregg Kallor’s world premiere of sketches from his new opera Frankenstein was listed in WQXR’s New York’s Most Memorable Concerts of 2018! Music Under the Ground “What’s the city’s hottest new concert venue? The Green-Wood Cemetery catacombs in Brooklyn — an expansive hallway lined with vaults for the famously dead…in October, Gregg Kallor unveiled Frankenstein, a work-in-progress that’s even more promising than his
“Cheney is a sultry tenor who excelled with the operatic and jazz stylings of ‘Mass’ and the traditional musical theatre sound of ‘West Side Story’ and ‘Candide.’ His ability to switch genre so effortlessly was astonishing and his performance of “Maria” was riveting.” MD Theatre Guide
Daniel and Laura Curtis, award winning Musical Theatre composers and lyricists, have just released their new album The Hero featuring a new song written for Brian Cheney, Every Song. Written for Brian as a tribute to his late mentor Jerry Hadley, Every Song is the only solo track on the album. The album is a special
On November 17th, Brian will make his National Philharmonic debut as the tenor soloist in Leonard Bernstein’s Mass, West Side Story, and Candide.
“As Victor Frankenstein, tenor Brian Cheney was the ideal counterpart. He very ably expressed the Victor’s horror, panic and regret over the evil his work has wrought.” ”Cheney’s ringing tenor voice carried well in the stone catacombs, conveying the fear that the deep bass sound of the monster summoned. And as the section of
CLASSICAL VOICE NORTH CAROLINA | Charlotte, NC “I was most impressed overall by Cheney, who excelled in the “Ingemisco” tenor aria. Cheney’s “Requiem aeterna dona eis” was nothing less than sublime, floating ethereally over the hushed chorus, a timeless little capsule that reminded me how live performance can triumphantly transcend any recording.” THE DAILY GAZETTE
Opera Today | “Brian Cheney was a sympathetic, clear-voiced Tom who—at the beginning—merely wanted a good life for himself and Anne, the girl on whose love he knows he can depend” READ MORE HERE LA Times | Los Angeles, CA “Brian Cheney, a strong tenor, fully embodied Tom in the progress from love-struck rube to
