
Due to the Covid-19 Outbreak this production has been moved to 2021. Making his Virginia Opera debut, Brian performs the role of Radames in Verdi’s iconic opera, Aida.
Due to the Covid-19 Outbreak this production has been moved to 2021. Making his Virginia Opera debut, Brian performs the role of Radames in Verdi’s iconic opera, Aida.
Brian makes his debut with the Newark-Granville Symphony Orchestra in a solo concert of love themed hits from Opera and Musical Theatre.
Returning for his 8th Season with Salute to Vienna, Brian will be performing Viennese favorites at the Kravis Center for the Performing Arts in West Palm Beach, Florida.
Returning for his 8th Season with Salute to Vienna, Brian will be performing Viennese favorites at the Coral Springs Center for the Performing Arts in Coral Springs, Florida.
Returning for his 8th Season with Salute to Vienna, Brian will be performing Viennese favorites at the Adrienne Arsht Center in Miami, Florida.
Brian returns to the Southern Illinois Music Festival to perform the role of Manrico in Verdi’s Il Trovatore.
Opera Orlando’s innovative production of Pagliacci/Pulcinella starring Brian Cheney was named in OperaWire’s top 5 productions to see in North America! Photo credit: David Percival Top 5 Operas To See This Weekend – North America (3/22-24)
Brian will be making his Virginia Opera debut in 2020 as Radames in Verdi’s Aida. Directed by Lillian Groag, the cast includes Laquita Mitchell as the title role, Leah Heater, Ashraf Sewailam, and Marco Nistoco. VIRGINIA OPERA
“As Victor Frankenstein, tenor Brian Cheney was the ideal counterpart. He very ably expressed the Victor’s horror, panic and regret over the evil his work has wrought.” OPERA NEWS Jennifer Johnson Cano, Joshua Jeremiah, Brian Cheney BROOKLYN The Angel’s Share | Brooklyn’s Greenwood Cemetery 10/12/18 AS PART OF ITS PERFORMANCE SERIES The Angel’s
Matt Costello – “Sketches From Frankenstein,” Angel’s Share If I simply must select a single performance, above all, then that is actually quite easy: Gregg Kallor’s “Sketches from Frankenstein.” The work in progress, “staged” at Brooklyn’s historic Green-wood Cemetery, inside the catacombs, was both a physical and operatic “experience” unlike any other. The tomb-filled catacomb,